Man-eaters use whatever they have to gain leverage against guys, and one of their most valuable assets… is free sex. If you identify with five or more of these descriptions, there’s a good chance that you’re a mom’s worst nightmare, and probably also your own! If you’re guilty of one or two of these actions, you’ve probably played the field, but haven’t rocked the love boat too bad.
Who sings maneater full#
If you’re curious as to whether you’re a mini-player or full blown man-eater, read the seven descriptors below. There are several levels of players, with the man-eater being the upper echelon for women. Ultimately, Remi Wolf is no less than a pioneer, reminding us of both the pain and the unhinged joy that can be found in the hyper-digital world of tomorrow.Spotting a player is one thing, but knowing that you’re a player is an entirely different thing altogether. Every track on “Juno” is fun, groovy and danceable, even when she sings about her hidden fears and failures. Wolf’s music is like a surprise party: sudden, disorienting and totally euphoric. It’s a wildly poignant choice, both a departure from her usual explosiveness and a brave, knowing reminder that she’s always one step ahead - this time, it’s a step toward a truer recognition of her personhood. In an uncharacteristic twist, she lets the song fade into silence - unusual for someone who usually builds to such psychedelic musical climaxes. Her voice, multiplied and layered, settles into a more tender place in the album’s last minutes. “I avoid the street that you live on/ You’re a magnet pulling my feet and my head off / And I scramble my brain / Wasting away / Looking for ways that I can avoid you / To pull the weeds, suck the venom.”
Wolf closes the LP with “Street You Live On,” a rich and earnest finale. “It’s honestly such a personal song to me.” “In the song, I’m talking about my sobriety and codependency and my fear of being cheated on,” Wolf told. In “Liquor Store,” the opening track, she sings about her past struggle with alcoholism over a crunchy electric guitar and a punching drum beat. Sometimes, Wolf’s heart-rending emotion seeps through the thick synth beats, taking you by surprise. Are you bobbing your head? Absolutely, you are! Is she dissecting the nuances of human nature? No. “I got long hair, long beard, turtleneck sweater / Got that long hair, long beard, turtleneck sweater / You got short hair, short beard, nothing feels better / Than me and you and me and me.” In the track “Grumpy Old Man,” Wolf sings: Though its opening and closing tracks are more vulnerable, “Juno” spends lots of time leaning into simple joys reminiscent of far-out Internet meme culture. Sometimes her characteristic far-out-ness can be estranging, like when she monologues in a high-pitched voice at the end of “Quiet On Set.” (“I’m a little baby,” her digitally altered voice whines, “And I went to the store with my mommy.”) But such is her craft - if she didn’t lose us occasionally, it would be a bad sign. That’s why Remi Wolf is so good: She can dance far out onto these limbs of audio distortion without losing her audience or that central, animal groove. To balance that reckless free-spiritedness and maintain a certain palatability requires great skill. Sounds of shattering glass, camera shutters and sirens punctuate the bridge of “Guerrilla.” With a scream-belting vocal performance, she steers the end of “Front Tooth” to the edge of cacophony. Tracks like “Sexy Villain” feature solos from overdriven electric guitars. In “Juno,” Wolf leads many of her songs into the loud and crunchy land of the musical avant-garde. This maverick boldness is central to her music, which she has said aims to “erase the rules of pop.” Her album covers look like glitched-out, oversaturated kaleidoscopes.
She sports a vibrant, maximalist style (on her Instagram account, you can find her dressed in highlighter-yellow dresses, rainbow-fur Cossack hats or bejeweled plastic sunglasses). Wolf is a rising star with supernova artistry. This thrilling expertise (and a touch of vulnerability) powers the 13 tracks of “Juno.” The whole LP is evidence of knobs turned all the way to the right, and it’s a total blast.
Who sings maneater how to#
As proven in her last two EPs (“You’re a Dog!” and “I’m Allergic to Dogs!”), Wolf knows how to use the world of audio production and distortion to its full headbanging potential. 15, is dripping with the eccentric, colorful personality she epitomizes. When people ask me to place Remi Wolf’s music in a genre, I usually go with “girlboss-techno hyper-pop.” Occasionally, I’ll offer “post-internet rainbow funk.” She probably falls somewhere in between. Remi Wolf’s ‘Juno’ is a colorful exploration of joy and vulnerabilityĬontent Warning: This story contains content regarding addiction.
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